Museumofworldmusic.com

Brazil

Instruments

Name: Birimbau.

Type: Struck Monochord > Percussion.

Region: Brazil > South America.

Acquisition Source: Pacific Drum Shop Vancouver, B.C. Canada.

Foot notes: The caxixi was acquired on same date as the Birimbau (came with instrument).

Description: The birimbau is defined as a musical bow and it is classified as a struck monochord [single stringed instrument]. Originally the use of the birimbau is associated with the martial art and dance “Capoeira”. In the development of capeoria as martial art the capoeria was concealed as a dance that was used by the slaves as a means of self-defence and survival during colonial times. Struck or plucked monochords can be found throughout Central and South Africa where the birimbau likely has its origins. In Brazil during the 1950s birimbaus have been painted with colourful patterns and designs as they follow local Bahian and over all Brazilian taste. Professional instruments are usually plain. Throughout many communities and the Brazilian diaspora the birimbau is making its way. Due to the turism in Brazil and the expansion of Capoeira schools outside of Brazil increased the popularity of this musical instrument. Nowadays the birimbau is adapted as a percussion instrument, it has found its way through jazz, popular and other forms of world music. The Brazilian Guitarist Baden Powell [b. Aug 6, 1937 d. September 26, 2000] and poet Vinicius de Moraes have written lyrics that describe the birimbau. The percussionist and multi-instrumentalist Nana Vasconcelos known for his work with Pat Mathany who often used the birimbau in accompant. As a percussion instrument the birimbau found its self in genres outside of Brazilian music including Jazz. 

Types of Birimbau: Practitioners of Capoeira called “Capoeiristas” classify three sizes of birimbau. The first size of the birimbau is the [berra-boi or gunga]. The gunga is the largest of the sizes, patience is required to play the gunga since the rhythm rarely changes throughout the performance. The second size of the birimbau is called the Médio [others use the term viola] is the medium size of birimbau. The Médio birimbau is considered to be the medium size. The viola or violinha is considered the highest pitch of the birimbaus.

Playing Techniques: The birimbau held up by the left hand close to the chest while the musician is standing. The right hand strikes the [arame] string with a [baqueta] being a stick of a thin diameter and short length, used to tap the string to produce the sound. The left hand manipulates a small brass coin called the [pedra or dobrão] is used to press against the [arame] string to change the tone of the birimbau. The birimbau is used to keep the tempo of a rhythm during capoeira and other dances. Capoeiristas (practitioners of Capoeira) classify three sizes of birimbau. The first being the [berra-boi or gunga], these are the largest of the birimbau and have the lowest pitch. Patience is required to play the gunga since the rhythm rarely changes through out the performance. The Médio [others use the term viola] is the medium sized birimbau hence being the middle birimbau. And the Viola or Violinha if the medium tone is the viola, is considered the highest in pitch.

The Caxixi: The caxixi pronounced “ca-chi-chi” is a percussion instrument in which is a small rattle woven from rattan. A bottom surface is added to weight the instrument down a bit for the ease of performance. The "fill" is then added, the fill of the caxixi could be of small pebbles, lead shot or anything a bit heavy in weight. Although the caxixi is small in size when the correct amount of fill is added, a desired percussive can be achieved. The caxixi is usually played in accompaniment with the birimbau or it may be played separately.


Anatomy of the Birimbau:
The birimbau is constructed from a bow traditionally from biriba wood. gourd, string and brass ring or stone The string is tied to each end of the birimbau and which the gourd is affixed almost a foot to the top end of the bow. The gourd serves as a resonance chamber. Often bicycle break cable, or steel diameter.

Citations: New Grove Dictionary of Instruments Vol. 1 Book A - F -Pages 221 and 222 entry by John M. Schechter >