Name: Ektara, or Gopichand
Type: Chordophone > Monophone.
Region: North India, Bengladesh, South asia
Source: Ian MacKenzie, India, my specimen is from Rahasthan.
Playing the Ektara: During the performance when the musician holds, the instrument in his right hand, the right hand squeezes the two pieces of bamboo, in which allows the compression or the tension of the string to loosen and tighten up during the performance, in which gives the ektara its particular sound. When the ektara is played only one note is sounded according to a desired tuning.
Construction: The ektara is having traditionally an "animal hide" bottom; whilst some modern or recently made ektara's have "synthetic" stretchy bottom-material. At the same time, when the instrument is played, the right hand plucks the instrument as whilst bending the two strips of bamboo or similar materials. The synthetic material is then attached usually with thumb tacks in which are inserted into the resonating chamber this is also hand-carved from bamboo. The single string which nowadays is metal is attached from underneeth where the tuning peg is located inside the bamboo top and is stretched out to the synthetic bottom.
The use of the ektara in contemporary music: In Bangra music, the Ektara is accompanied by vocals and, the dhol (a drum used in this genre). If the ektara has two strings attached from bottom to top; sometimes the ektara is referred to as "dotara", "two strings".