Museumofworldmusic.com

China

Instruments

Name: Erhu.

Type: Bowed > Chordophones.

Region::China > Far East Asia.

Tuning: Usually tuned to A-E in fourths and or fifths.

Dimensions: Length 80 cm.

Specimen: My instrument is made in Shanghai, China.

Acquisition Date: Year

Acquisition Source: Ian McKenzie, Singapore.

ErhuDescription: The erhu is a bowed-chordophone that belongs to the “yueqin” family of bowed instruments. In the Chinese musical system the erhu is classified as a member of the bowed “silk” family. According to the book of music or “Yue Shu” a description of the musical instrument called a xiqin, as a two stringed lute is mentioned. It is believed the xiqin may have its origins with the Xi people. There is documented evidence of the erhu since the Sung Dynasty (960-1270 AD). In Southern China another name given to the erhu is “Nan Hu”. In the 20th century the erhu has undergone many improvements both in teaching and the construction of the musical instrument. Throughout the 1920s the current design of the erhu is attributed to Lian Tianhua (b. 1825 d. 1932) who is a pioneering Chinese erhu and pipa player and Hua Yanjun (b. 1893 d. 1950) a blind street musician. Since the foundation of the Peoples Republic of China in 1949 the education and repertoire has improved greatly for more then half a century. One can encounter the erhu as a virtuosic instrument in symphonic orchestras to cinema, jazz, mainstream pop and avantgarde. In the arrangement of a Chinese ensemble the erhu along with the dizi, pipa, ruan and yang chin would compliment the instrumentation.



 

Erhu BackAnatomy of the Erhu: The acoustic chamber of erhu is created from cut strips of wood, assembled into a hexagonal shape. Snake skin is stretched over the body. The body of the erhu is called the "qin-tong". Older erhu are often stretched with snake skin usually of python could be of Burmese python (molorus bivittatus). The erhu has two identical hand carved friction tuning pegs. A recent innovation involves a mechanical mechanism built into the wooden tuning peg. A small brass hook is attached to a looped chord or string called a “Qianjin”. The two playing strings are held in place by the qianjin so that they can be played from that point onwards. This is the mechanism that allows for the erhu to be bowed in between the two strings. The bow for the erhu differs from the violin bow. The tension of the erhu bow is adjustable.

Citations: