The Kudyapi amongst the Maguindinao people: In this style of music the compositions are arranged in the pentatonic scale called "binalig" or "dinaladay" scales.
The Kudyapi amongst the Marinao people: The kudyapi is played amongst the Marinao for the Singkil dance. This
largely has been replaced by the more common Kulingtan ensembles. The
Kudyapi is also played in accompaniment to the epic chants "bayoka".
The kasayao-sa-singkil / kasingkil ensembles often pair the kudyapi
with the giwong (jawhap) and soling (flute). The kutyapi is also used
in the "serenade ensembles" or kapanirong.
Anatomy of the Kudyapi:
The kudyapi has two strings and the frets of the kudyapi are raised
each of the frets are positioned under the bottom playing string where
as the 2nd string is plucked as a drone. The Maranao people use beeswax
for the frets to adhere to the top surface of the neck and body of the
kudyapi. In the Northern Philippines the kudyapi is much smaller in
size in the Southern Philippines the kudyapi is quite long roughly a
meter or longer.
Foot Notes: Lumad is a Cebuano term who is used to describe the Non-Christianized or Non-Islamic groups of Southern Philippines.