Tanbur In Iran: The Persian tanbur has a slightly shorter neck and over
all size then the Uigur tanbur. In its current form the tanbur has 3
strings often tuned in 4rths and fifths. This type of tanbur has been
mentioned in ancient Iranian literature from Khorosan. The frets are tied on to
the neck of the tanbur and they are adjustable. The Persian tanbur is
almost identical to the dutar both lutes are found in the same region and they
share a similar history. The playing technique of the Persian tanbur is
meant to resemble a "trickle down the stream". Since the last 50 years
the tanbur has mainly been employed during ritual and liturgical
ceremonies also called "Djam" gatherings. Its quite recent that the
Persian tanbur is being used as a solo instrument. The top strings are
of copper and or brass in which are thicker then the bottom string the
bottom string serves as a sympathetic string sometimes played.
Tanbur In Turkey: The tanbur has a wide circular body and a long neck.
In Turkey the tanbur is associated with Sufi music and also in Makamlar
(Turkish Classical Music) The Turkish tanbur has deep resonant timbre
when played. Variants of the Turkish tanbur are found including the
yali-tanbur who is played with a bow.
G-D-C |
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D-A-D |
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| Persian | Ab or B |
Anatomy of the Uigur tanbur:
The neck of the Uigur tanbur is usually fretted with 31 plastic frets
which are set to chromatic spacings. The Uigur tanbur has 5 tuning
pegs, 5 strings. The neck and staves of the body are made from mullbery
wood. The body of the Uigur tanbur is often constructed with up to 10
staves. A sound post is inserted underneath the scratch guard. Often
the Uigur tanbur is decorated with ornamental died camel bone usually
plain bone and black. The bridge of the Uigur is adjustable.